Last week, I spoke about why every film needs a thread — however invisible — to guide the audience through the story. This week, we take that idea forward with a case study of Dhurandhar: The Revenge — a film that struggles to hold its narrative together. What begins as a revenge story with a strong emotional core slowly gets tangled in multiple threads — blending real-world events, fictional characters, and political messaging in a way that never fully aligns. In this episode, we break down how Dhurandhar: The Revenge loses its thread — and what screenwriters can learn from it. Share this: Click to share on WhatsApp (Opens in new window) WhatsApp Click to share on Facebook (Opens in new window) Facebook Click to share on Threads (Opens in new window) Threads Click to share on X (Opens in new window) X Click to share on Telegram (Opens in new window) Telegram Click to share on LinkedIn (Opens in new window) LinkedIn Click to share on Pinterest (Opens in new window) Pinterest Click to email a link to a friend (Opens in new window) Email More Click to print (Opens in new window) Print Click to share on Reddit (Opens in new window) Reddit Click to share on Tumblr (Opens in new window) Tumblr Click to share on Pocket (Opens in new window) Pocket Click to share on Mastodon (Opens in new window) Mastodon Click to share on Nextdoor (Opens in new window) Nextdoor Click to share on Bluesky (Opens in new window) Bluesky Like this:Like Loading... Post navigation Pakistan Army chief Munir concludes three-day Iran visit BJP, Opposition in war of words after Constitution Amendment Bill defeat