A still from ‘Madhuvidhu’. | Photo Credit: Special Arrangement At the centre of director Vishnu Aravind’s Madhuvidhu is a house where three generations of men live in harmony. Unlike the Anjooran household in Godfather (1991), women aren’t banned here; they simply choose not to come. For the protagonist, Amrithraj alias Ammu (Sharafudheen), 28 marriage proposals came through but not a single moved to the next stage. When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear to change. However, some unexpected hiccups are waiting for them as they belong to different religions. Writers Jai Vishnu and Bipin Mohan don’t seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. But even with that, they end up hitting further lower. Published – April 23, 2026 08:14 pm IST Share this: Click to share on WhatsApp (Opens in new window) WhatsApp Click to share on Facebook (Opens in new window) Facebook Click to share on Threads (Opens in new window) Threads Click to share on X (Opens in new window) X Click to share on Telegram (Opens in new window) Telegram Click to share on LinkedIn (Opens in new window) LinkedIn Click to share on Pinterest (Opens in new window) Pinterest Click to email a link to a friend (Opens in new window) Email More Click to print (Opens in new window) Print Click to share on Reddit (Opens in new window) Reddit Click to share on Tumblr (Opens in new window) Tumblr Click to share on Pocket (Opens in new window) Pocket Click to share on Mastodon (Opens in new window) Mastodon Click to share on Nextdoor (Opens in new window) Nextdoor Click to share on Bluesky (Opens in new window) Bluesky Like this:Like Loading... Post navigation Centre’s move on women’s quota, delimitation aimed at political gains, says MP G. Kumar Naik China’s DeepSeek releases long-awaited new AI model