Raja Ravi Varma’s Yashoda and Krishna | Photo Credit: SPECIAL ARRANGEMENT In Raja Ravi Varma’s iconic painting, Yashoda and Krishna, a quiet, intimate moment unfolds: an infant Krishna, rendered in luminous soft tones, leans into his mother Yashoda — a tender scene embodying both protectiveness and divinity. Painted in the 1890s at the height of his career, the iconic painting has now made history. At a recent auction by a Mumbai-based auction house, Saffronart, Yashoda and Krishna fetched a staggering ₹167.2 crore ($17,978,495), setting a new benchmark as the highest-value work of modern Indian art ever sold. The sale far exceeded its pre-auction estimate of ₹80–120 crore, showcasing the living value of Indian art among collectors. The buyer, Cyrus S Poonawalla, chairman and managing director, Serum Institute of India, described the acquisition as both a privilege and a responsibility. “This national treasure deserves to be made available for public viewing periodically, and it will be my endeavour to facilitate this going forward.” Born in 1848, in Kilimanoor, Kerala, Ravi Varma is one of India’s most celebrated artists known for his depiction of Indian mythological subjects through oil paintings. Some of these female characters , such as Shakuntala, Sita, Damayanti, and Draupadi, have had a lasting influence, continuing to inspire a generation of artists. Pooyam Thirunal Gouri Parvathi Bayi, who belongs to the erstwhile royal family of Travancore, says she is happy that Cyrus Poonawalla has been able to retain the work in India. “I am proud that my great-grandfather is getting the recognition he deserves. If you remember, at one time in the 20th Century, he was ridiculed as a poster painter. But now, he is honoured for his artistic legacy and skill… He did not paint to please critics or buyers. One must remember his contribution in popularising the sari and in preserving exquisite jewellery.” The record-breaking sale surpassed the previous high set by MF Husain’s Untitled (Gram Yatra), which fetched over ₹118 crore ($13.8 million). “It remains to be seen how the collector will ensure that this work is able to be seen and appreciated by art lovers,” adds Pooyam Thirunal Gouri Parvathi Bayi. “Great art has a way of reaffirming its timeless value… It is not just a milestone for the market, but a powerful reminder of the enduring cultural and emotional resonance of Indian art,” says Minal Vazirani, president and co-founder, Saffronart. In many ways, the journey of Yashoda and Krishna from Varma’s studio to a 21st-Century auction house reflects the evolving nature of Indian art itself. Published – April 02, 2026 01:44 pm IST Share this: Click to share on WhatsApp (Opens in new window) WhatsApp Click to share on Facebook (Opens in new window) Facebook Click to share on Threads (Opens in new window) Threads Click to share on X (Opens in new window) X Click to share on Telegram (Opens in new window) Telegram Click to share on LinkedIn (Opens in new window) LinkedIn Click to share on Pinterest (Opens in new window) Pinterest Click to email a link to a friend (Opens in new window) Email More Click to print (Opens in new window) Print Click to share on Reddit (Opens in new window) Reddit Click to share on Tumblr (Opens in new window) Tumblr Click to share on Pocket (Opens in new window) Pocket Click to share on Mastodon (Opens in new window) Mastodon Click to share on Nextdoor (Opens in new window) Nextdoor Click to share on Bluesky (Opens in new window) Bluesky Like this:Like Loading... Post navigation Traffic diverted from old bridge to new bridge across Kabini river on Mysuru-Nanjangud highway After second LPG hike, Bengaluru hotels plan to raise prices again