Arundhathi Subramaniam

Arundhathi Subramaniam
| Photo Credit: KV SRINIVASAN

The Prakriti Foundation celebrated feminist literature by hosting the launch of The Gallery Of Upside Down Women by Arundhathi Subramaniam, a poet and Sahitya Akademi recipient on February 7 at Alliance Française of Madras.

The book of poetry honours bold women who defy societal norms throughout history, and have carved their way through this chaotic world. The women featured includes Mirabai who was a mystic poet known for her ardent devotion to Krishna, Akka Mahadevi, a 12th Century poet who relinquished her attire as an act of devotion to Shiva, Amrapali, a 5th Century courtesan who went on to devote her life to Buddha,  Shenkottai Avudai Akkal, an 18th Century saint from Tamil Nadu, Lakshminkara, an 8th Century tantric and princess of Odiyanna known for her title ‘The Mad Princess’ and Janabai, a 13th Century Marathi poet.  

The poems acknowledge the complexity of womanhood, navigating and shaping layers of femininity.

During the poetry reading session, Arundhathi gave voice to these overlooked figures in sacred poetry. Emphasising on their ferocity and ambition, she gave a glimpse into the journey she went on, to understand these women better. Alarmel Valli, an Indian classical dancer and the founder of the Dipasikha Dance Foundation was also present at the event.

Ranvir Shah, founder, Prakriti Foundation, was also in discussion with her about the impact her love for poetry had on the book. Blending that with the impact of spirituality, the session also delved into how spirituality isn’t a tool to become peaceful, but rather one to amplify personality.

“I wanted my poems to be dangerous poems. Not the soft Mirabai who was delicate as translated to us then, but the Mirabai who told the little bird that she’ll tear off her wings if it don’t bring Krishna to her” said Arundhathi.

The audience was also given the opportunity to engage with Arundhathi, questioning her about her poetry, the reason for choosing the women in her book, and how she understood them. She gave a wide perspective on feminist literature and how poetry is an evolving landscape, allowing those to express what can’t be found in books.


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