Sumathy Mathiazhagan presenting her lecture The Sarva Vadyam tradition at the Tiruvarur temple’ at the Music Academy. | Photo Credit: K. Pichumani Sumathy Mathiazhagan’s lecture at The Music Academy on the sarva vadyam tradition in Tiruvarur temple evoked images of Tyagaraja’s divine dance and the rituals of the temple. Sumathy said that Parasaivas, the community to which she belongs, have three duties in Tiruvarur — performing puja for Pidari Amman, and playing the shuddha maddalam and the panchamukha vadyam. Her family has the title of Muttukaarar. Once, when the Tyagaraja idol slipped and was about to fall, an ancestor of Sumathy’s prevented it by supporting it with his shoulder. Hence, he acquired the honorific of Muttukaarar (muttu: prop). Muttukaarars play the kudamuzha, so called because the bottom is shaped like a pot (kudam). The pot is made of a special alloy called mani vengalam. Kudamuzha is also known as panchamukha vadyam. It has five faces, each representing one of the five faces of Siva — Isana, Tatpurusha, Aghora, Vamadeva and Satyojata. Deer hide is used as the drumhead, because it produces a gentle sound — strident beats will not awaken the kundalini, the dormant energy. So, the shuddha maddalam is played to awaken the kundalini, which will help men focus on the task at hand. Sumathi Mathiyazhagan. | Photo Credit: K. Pichumani There are nine processions of Thyagaraja, and shuddha maddalam is played for every one of them. Sumathy’s great-grandfather was Thambiyappa Muttukaarar. His grandfather also went by the same name, and he was a disciple of Muthuswami Dikshitar. Once, when Thambiyappa was unwell and could not do his daily duty at the temple, Dikshitar composed the kriti ‘Brihaspate’ (raga Atana), and Thambiyappa was miraculously cured. While the family tradition of playing shuddha maddalam and panchamukha vadyam continued for generations, there came a time when the family had no male heir, and it seemed as if they would lose their right to play in the temple. However, despite objections from some quarters, Sumathy, who is the headmistress of a school, stepped in. She became the first woman to play shuddha maddalam and panchamukha vadyam in the temple. Her daughter, who studied engineering, decided to follow in her mother’s footsteps. “My grandson Dhruv will also play for Tyagaraja one day,” says Sumathy. Published – January 07, 2026 02:35 pm IST Share this: Click to share on WhatsApp (Opens in new window) WhatsApp Click to share on Facebook (Opens in new window) Facebook Click to share on Threads (Opens in new window) Threads Click to share on X (Opens in new window) X Click to share on Telegram (Opens in new window) Telegram Click to share on LinkedIn (Opens in new window) LinkedIn Click to share on Pinterest (Opens in new window) Pinterest Click to email a link to a friend (Opens in new window) Email More Click to print (Opens in new window) Print Click to share on Reddit (Opens in new window) Reddit Click to share on Tumblr (Opens in new window) Tumblr Click to share on Pocket (Opens in new window) Pocket Click to share on Mastodon (Opens in new window) Mastodon Click to share on Nextdoor (Opens in new window) Nextdoor Click to share on Bluesky (Opens in new window) Bluesky Like this:Like Loading... Post navigation Probe ordered into alleged medical negligence in Wayanad hospital after woman finds cotton cloth left inside post-cesarean Watch: Ahead of Pongal, jaggery production in full swing in Vellore