Himanshu Srivastava performing at the Jharna festival. | Photo Credit: M. Srinath Gopikeshwar, a symbolically layered form of Shiva in Vrindavan, is closely associated with Krishna’s Raas Lila. Himanshu Srivastava’s ‘The Abandoned Gopi’ presented at the annual Jharna festival, explored this lesser-known deity and the ideas surrounding him. It is a narrative that is rarely encountered in the South. Choosing this legend for a short solo production was an interesting decision. One of the strengths of the performance lay in Himanshu’s contrast of Shiva — in his original form and his attempt to assume that of a gopi. The shift was not merely external but suggested a psychological transition, particularly in the enacted exchange between Shiva and Yamuna. The work carried a distinct Vraj flavour, and the depth in preparation was evident in the movement vocabulary and abhinaya. In ‘The Abandoned Gopi’, Himanshu Srivastava crafts a cohesive performance rooted in Vraj aesthetics. | Photo Credit: M. Srinath A notable segment focussed on Shiva’s astonishment at being unable to easily get access to Krishna’s realm, where the Raas Lila unfolds. The exploration — of masculinity and femininity and the space between them — was handled with precision and formed a key aspect of the presentation. Himanshu’s use of props was effective. The veil marking the transformation into a gopi was visually clear and carried a philosophical suggestion that he chose to articulate. The veil marking the transformation into a gopi. | Photo Credit: M. Srinath The production was supported by thoughtful lighting, cohesive musical choices, and structured compositions. His engagement with the material remained steady throughout. In the concluding segment, he sang while performing seated — introducing a different texture to the piece. Singing, being a separate discipline, added another register to the performance. The technical glitch that it commenced with was resolved at an emotionally apt point, leaving the audience wanting more. Overall, Himanshu Srivastava emerged as a thoughtful storyteller with a defined approach and consistent engagement with his subject. Published – February 27, 2026 02:31 pm IST Share this: Click to share on WhatsApp (Opens in new window) WhatsApp Click to share on Facebook (Opens in new window) Facebook Click to share on Threads (Opens in new window) Threads Click to share on X (Opens in new window) X Click to share on Telegram (Opens in new window) Telegram Click to share on LinkedIn (Opens in new window) LinkedIn Click to share on Pinterest (Opens in new window) Pinterest Click to email a link to a friend (Opens in new window) Email More Click to print (Opens in new window) Print Click to share on Reddit (Opens in new window) Reddit Click to share on Tumblr (Opens in new window) Tumblr Click to share on Pocket (Opens in new window) Pocket Click to share on Mastodon (Opens in new window) Mastodon Click to share on Nextdoor (Opens in new window) Nextdoor Click to share on Bluesky (Opens in new window) Bluesky Like this:Like Loading... Post navigation Tourists get wifi in Yana, Sahasralinga in Uttara Kannada district of Karnataka Wicked’ arrives at NMACC: A new production of the global phenomenon lands soon in Mumbai